Traditionally, the subject has been defined as a self-consciousness of thinking which returns over its own origin. This article tries to subtract the subject from such delimitation for read it from the body as a space that configures music and its interpretation. The intention is —principally from Nietzsche and Nancy— to hear the subject and to recognize it as a sounding board which, affected by sound and capable of making his voice an echo, opens the way to a link with writing. This, be it musical or literary, shows itself as an echo of the body which is inscribed through the sign as an echography of the subject. Thus, the meaning of the writing is no longer fixed in the univocally link between sign and meaning, but, as an echography, pluralize and amplifies the sound, opening the possibility of an infinite remission of meaning.
Rivas Vergara, M., & Rivera Riquelme, D. (2021). Listen, write, play: writing as an echo in philosophy and music. Resonancias. Revista De Filosofía, (10), 77–88. https://doi.org/10.5354/0719-790X.2021.60938
